This interview originally appeared in the March 2007 issue of ANTIGRAVITY.
To celebrate After The Deluge getting picked up by Pantheon, I thought I’d post our original talk with artist Josh Neufeld, which coincided with A.D.’s debut over at SMITH. Interested parties may want to know that the current issue of DC/Vertigo’s American Splendor mini-series features some of Josh’s work.
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Josh Neufeld has become adept at telling graphic stories of a personal nature — his comic series The Vagabonds chronicles his and wife Sari’s travels around the world, his artwork frequently tells Harvey Pekar’s unique slice-of-life stories in American Splendor, and his 2004 graphic novel A Few Perfect Hours (and Other Stories From Southeast Asia & Central Europe) won him a prestigious grant from the Xeric Foundation. Neufeld’s latest projects feature both personal and, for the first time, communal stories. In early ’06 Neufeld released Katrina Came Calling, a chapbook-style collection of prose journal entries written in late ’05 during a three-week tour of duty with the Red Cross in Biloxi and Gulfport, Mississippi. In January ’07 the prologue of Neufeld’s new sequential art project, New Orleans: After The Deluge, premiered on SMITH, an upstart website that celebrates personal storytelling and, in 2006, published Shooting War, a highly acclaimed webcomic about the war in Iraq. After The Deluge features several real-life people affected by Katrina (including AG editor Leo McGovern), and Neufeld intends to weave those people’s stories together in an attempt to show readers that New Orleans isn’t a city full of statistics; that the populace of the Gulf Coast isn’t simply full of people either with or without the means and/or desire to leave, return and rebuild; that our region, even a year and a half after Katrina, is brimming with grey area.
ANTIGRAVITY spoke with Neufeld about the reasons he created A.D., what he hopes readers take away from these stories, and how this project is different from anything he’s done before. (more…)