
This story originally appeared in ANTIGRAVITY Vol.5 Issue 1 (November 2007).
The Baddest Brush in Town, Part I:
Who is Winning the Color Wars in New Orleans?
The art-crime of graffiti is probably one of the least understood phenomena of modern urban existence. Are these inscriptions a public nuisance, a symbol of crime, a primeval marking of territory by criminals, or simply free speech in its essence? Who are these nocturnal prowlers dotting the New Orleans landscape with handles like “Goose,” “Nobel,” “Spin,” “Giser” and such? Are these Crips carving out their piece of the city or backpacker-hip-hop kids simply carrying forward a tradition that’s pushing four decades? Are they gangsters—or the next Basquiat? And what’s the difference between them and the campaign workers, bands, show promoters, yoga instructors, contractors, and countless others who take to our public visual space and claim some of it for their cause, whatever it is? To one man, there is no difference. And that man is Fred Radtke.
What is Radtke’s mission, exactly? Is it, as he has claimed in past stories and news reports, to help rid New Orleans of crime by painting over graffiti? Or is it to make himself famous by marking the city with his infamous gray blocks? (more…)



